An Odyssey of Yugoslavian Ideology: Emir Kusturicas’ Cinematic Communication

Bozic Mila (2024) An Odyssey of Yugoslavian Ideology: Emir Kusturicas’ Cinematic Communication. Külkereskedelmi Kar.

	PDF Thesis Paper Mila Bozic.pdf Hozzáférés joga: Csak nyilvántartásba vett egyetemi IP címekről nyitható meg Download (997kB)
	PDF Mila_Bozic_assessment_KP_2024.pdf Hozzáférés joga: Bizalmas dokumentum (bírálat) Download (263kB)
	PDF MBozic_dissertation_evaluation.pdf Hozzáférés joga: Bizalmas dokumentum (bírálat) Download (251kB)

Absztrakt (kivonat)

I focused my research on the topic of how cinematic language can communicate and depict reality through narratives and fiction, specifically concentrating on the Yugoslavian region era and regime. This I will achieve by using the lenses of the infamous Yugoslav director Emir Kusturica, thus answering the question of how does he utilize the interplay of cinematography, symbolisms, music, and storytelling to depict the mayhem state of Yugoslavia and its evolving image, and what broader thematic, social, historical, and cultural messages do his movies communicate? Initiating this paper will be some historical background, an overview of this former kingdom of Slavs. This will be followed by a literature review that explores current theories and research in the field of filmmaking that is based on the communication model of ritual communication, where the rituals, ceremonial and cultural, as well as the repeated symbolic actions convey shared meanings and reinforce social or cultural values, in order to understand the potency of cinematic language in portraying a recurring image to communicate with the audience. In terms of methodology, I conducted a comprehensive content analysis of three movies as case studies since it serves the purpose of the research paper especially because they cover various cultural and historical phases of Yugoslavia. As I dive deep into each movie, beginning with a thorough explanation of the plot to get the essence of what is expected, eventually I go through each of the cinematic tools, explaining them through key scenes, thus connecting them to reality and relating to the theories mentioned before to comprehend entirely. Moreover, I attempt to acquire additional knowledge by conducting a comparative analysis with the Czechoslovak New Wave film movement to identify similarities and distinctions between the selected criteria mentioned previously, explaining how those approaches contribute to the representation of cultural and emotional communication. The outcome of my research is set to acquire a better comprehension of cinematic language tools, their usage, and how a filmmaker can communicate his creative visions while also including sensitive topics about a whole nation and their identity.

Intézmény

Budapesti Gazdasági Egyetem

Kar

Külkereskedelmi Kar

Tanszék

Kommunikáció Tanszék

Tudományterület/tudományág

NEM RÉSZLETEZETT

Szak

Kommunikáció és médiatudomány

Mű típusa:	diplomadolgozat (NEM RÉSZLETEZETT)
Kulcsszavak:	communication, film(ek), Jugoszlávia, média, organizational culture, society
SWORD Depositor:	Archive User
Felhasználói azonosító szám (ID):	Archive User
Rekord készítés dátuma:	2024. Szep. 26. 07:58
Utolsó módosítás:	2024. Szep. 26. 07:58

Actions (login required)

Tétel nézet